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Assorted Entries


Micro-Nikkor 105mm f/4 AIS Review
Micro-Nikkor 105mm f/4 AIS Review

Nikkor 80–200mm AF f/2.8D ED Review
Nikkor 80–200mm AF f/2.8D ED Review

Nikon 300mm f/4.5 ED-IF AIS Review
Nikon 300mm f/4.5 ED-IF AIS Review

Nikkor 35mm f/2 AI Review
Nikkor 35mm f/2 AI Review

Grace Potter and the Nocturnals
Grace Potter and the Nocturnals



Tai Shimizu is owner of Stormy Imaging and author of the iPad/iPhone photo editing App Filterstorm, the drawing app Inkist, and the Mac HDR app Light Compressor

Selected Entry


I shot a roll and a half of Velvia 50 in my FE alongside digital at the West Indian Carnival parade in Brooklyn on Monday, and just got one back from development.

Nikon FE, Velvia 50, 80–200mm AF ED f/2.8D
http:  taishimizu.com pictures brazil day nikon fe velvia 50 yellow feathers thumb.jpg

Despite the fact that the Nikon FE comes from the era before autofocus, the much newer Nikkor 80–200mm f/2.8D AF ED works perfectly on it excepting that it doesn’t automatically focus, of course.

Nikon FE, Velvia 50, 35mm f/2 AIS
http:  taishimizu.com pictures brazil day nikon fe velvia 50 red feathers dancing thumb.jpg

The 35mm f/2 AIS is a fast, contrasty, and cheap lens on the used market. Now that the 35mm f/1.8 AF-S is available, cheap, and well received (though impossible to find), DX owners have less reason to own this lens. It’s great for film and FX, though, if you don’t mind MF lenses.

Nikon FE, Velvia 50, 80–200mm AF ED f/2.8D
http:  taishimizu.com pictures brazil day nikon fe velvia 50 gold man thumb.jpg

Images scanned on my Plustek OpticFilm 7500i.
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